The artwork moves along the intersections of art, architecture, design, media and theory discourse, where new challenges and dynamic changes emerge in hybrid forms.
A selection of generative and parametric works: the recent Vermilion series, the black-and-white works, and pieces that return to surface and object—a desideratum of a time when colours meant something different to the author.
Against expectations, a visibly clear form redefines the notion and subjective sensation of calm and stasis. It is the aftertaste of thought that collides in the beehive of impressions, producing the noise of perception.
The sometimes revolting, clinical image, mimicking a clear form, is, in at least one case, a decoy that tricks the mind into a different mode. Behind the “purity and perfection” of the vector fine lines and clean forms, a sensation takes the mind to a space we call perception.
Deprived of recognisable form (associative not excluded), and as in the 1930s Manifesto that set the basis of ART CONCRETE, the forms and techniques of expression are predestined to produce a sensation, not an association. Therefore, all artwork titles are either cryptic, alphanumeric, or, at their best, paradoxical or illogical.
The approach highlights interdisciplinary research, using a fictional narrative to explore themes across art, architecture, design, media, and theory. It presents ongoing and archived personal projects and activities. It is updated at irregular intervals, reflecting current and past periods and focusing on the intersections of art, architecture, design, media, and theory, where new challenges and dynamic changes emerge in hybrid forms, creating space for new thought and further research.
Without being speculative, metaphysical, or overly scientific, here is a short description of how the artist’s expression connects the visual to the aural, and vice versa. In both areas, there is a perceptual associative experience. It goes beyond sensory and perceptual phenomena. Neuroscientific literature often describes this as ‘noise that is intrinsic to the perceptual system’ (Aston et al. 2023).